Movie Reviews

Given the prevalence of remakes these days, I started thinking about some of the original films I’ve enjoyed over the years. Being slightly twisted, this lead me to thinking about Asian Horror Films that have been remade in the US. WHICH led me to think about some of the Asian Horror Films I’ve enjoyed over those same years.

Below are a few of them.


Into the Mirror (remade as Mirrors)



Into the Mirror was an outstanding movie to watch and yet another great horror from Korea. Into the Mirror is a nice blend of Horror, Investigation, Supernatural Thriller, and Guess-who elements. Whilst it is a little bit lengthy and could of have had about 20mins trimmed out of it, it's the kind of movie where the time seems to pass quickly because something is always happening.


Mirrors (US Remake of the Above)



An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home. Studio: Tcfhe Release Date: 01/13/2009 Starring: Keifer Sutherland Run time: 112 minutes Rating: R


FACE



Hot on the trail of a serial killer who uses acid on his victims leaving behind only the bones, the police turn to Hyun-min, a former forensic sculptor adept in reconstructing faces by examining and interpreting skulls. With the victims' bones in his house, Hyun-min's daughter experiences disturbing visions of a long-haired woman in a white robe, a woman whom she may know. As he races against time to find the answers before the visions overtake his daughter, the deadly truth behind these victims reveals a sinister conspiracy that threatens everyone involved.


The Maid



During the Seventh month on the Chinese calendar, the gate of hell open and the dead rise to walk the earth. There are rules people must follow for 30 days in order to survive. Never swim, never turn back at night when you hear someone call and never talk to strangers on a deserted road. Break any of the rules and you face the haunting consequences. Rosa (Alessandra Di Rossi) a young woman from the Phillipines arrives in Singapore to work as a domestic maid. Naive and innocent she has never believed in the supernatural and ultimately breaks the rules of the seventh month one by one. Now she will pay a terrible price for her ignorance,


A Tale of Two Sisters (remade as The Uninvited in the US)



Two young sisters recovering from an unnamed trauma must face a mysterious past in this excellent South Korean shocker. A worldwide hit upon its release and based on an old Korean fairy tale; two sisters (wonderfully played by Su-jeong Lim and Geun-yeong Mun) come to live with their cold and distant father and turn-on-a-dime stepmother in a house where nothing is as it seems. A wonderfully haunting score, starkly beautiful imagery, and a labyrinthine plot that twists and turns at every dark corner all set the stage for a riveting and often terrifying guessing game of a movie. Equal parts drama, mystery, and ghost story, A Tale of Two Sisters is a richly complex and challenging cinematic treat that may very well demand repeat viewings.


Audition (Uncut Special Edition)



If you want the full sledgehammer-to-the-stomach effect of Audition, stop reading this review now. Just watch it and take the consequences. At first glance, Takashi Miike's jack in the box of a movie works like a romantic comedy: amiable widower Shigeharu Aoyama (Ryo Ishibashi) decides it's time to find a new wife, and a friend suggests holding a fake audition to find the right girl. It soon becomes clear that there is something wrong with Aoyama's choice. This is no ordinary Fatal Attraction-style thriller, however; Audition slowly and carefully builds into a wrenching exploration of both deep male fears and the stereotype of the cute, submissive Japanese woman. Audition is by no means an easy movie to watch--even hardcore horror fans may have trouble--but it will stay with you for a long, long time


Oldboy



In the realm of revenge thrillers, you'd be hard pressed to find more ultra-violent vengeance and psycho thrills than in the creepy story of Oldboy. This Korean import made a pop splash at the Cannes Film Festival and during its limited theatrical run thanks to the imprimatur of Quentin Tarantino, who raved about it and its visionary director, Chan-wook Park, to anyone who would listen. It's easy to see why QT fell in love with the grindhouse attitude, fast-paced action, violent imagery, and icy-black humor, but it's a disservice to think of Oldboy as another Tarantino homage or knockoff. The darkly existential undercurrent in the themes that Oldboy traces over its life-long narrative arc is much more complex and deeply disturbing than anything of its kind. The movie's tagline is, "15 years of imprisonment... 5 days of vengeance." The imprisonee is Oh Dae-Su, an ordinary Joe who is snatched off a Seoul street corner and locked away in a dank, windowless fleabag hotel room for the aforementioned 15 years. Just as abruptly he is released, and thus the five days begin. Why did this happen to Oh Dae-Su? Ah, but that would be telling, and in fact we don't know ourselves until the final wrenching scenes.

Oldboy breaks into a classic three-act saga, the first of which details the hallucinatory period of imprisonment in which Oh Dae-Su wades from mild insanity to outright psychosis in the hands of unseen yet attentive captors. Act 2 is the revenge, when an entirely different tone takes over and Oh Dae-Su moves with single-minded purpose and clarity. It's this section that has gained the most notoriety, primarily for the claw-hammer dentistry scene, the one-man-army tracking shot, and the wriggling octopus that Oh Dae-Su consumes in a sushi bar (he's been dead so long he simply needs life back inside him in any way possible). In act 3, answers finally start to emerge and the sinister atmosphere grows even more profound--not without a healthy dose of extra bloodletting, of course. Oldboy is an undeniably poetic masterpiece of tension, fury, and dynamic craft. Ultimately, its epic cycle of tragedy is of the sort that mankind has been inflicting upon itself for all time. Some of the images may be gruesome, but all converge into a kind of beauty. It's in the telling of this lurid tale that these details become one and the memories of pain ultimately heal